Wednesday, 9 May 2018

We need a culture of grants, sponsorship to keep arts alive’


We need a culture of grants, sponsorship to keep arts alive’



By Florence Utor
 
06 May 2018   |   4:17 am 

Association of Nigerian Authors (ANA) held a two-day capacity building workshop for its states’ executive members on the theme ‘Innovations in Contemporary Literature Awareness Campaign in Nigeria,’ which recently took place in Ilorin.

Special guest of honour was Justice Mustapha Akanbi (rtd), who in his address acknowledged the contributions of Dr. Wale Okediran for working to make sure the association fulfils its aim and objectives of promoting literature in both indigenous and English languages among others. Akanbi said he knew Okediran as a writer not a medical doctor, which he is by training and practice because he had read so many of his writings. He advised that knowledge is power and people should develop a reading culture, which is what made him in life. “Forget about the people stealing,” he said, “read avidly and your life will be better.”

Akanbi, who has been promoting education for as long as he remembers, said he was glad to help promote education which is the only thing he could leave behind as his footprint in the sands of time, which is what matters.

According to Akanbi, “Money is not important. What you impact in people’s lives is what matters and education is key. If Nigeria were doing this long time ago, we would have been far ahead. Japan is far ahead as a result of their reading culture.”

Akanbi, who donated a hall located within the Mustapha Akanbi Library to ANA, encouraged the association to contact him anytime they needed help and even as a pensioner, he would do his best to assist.

ANA president, Abdullahi Denja, in his opening address said each year the association tries to justify the support given to it by their patron, Mallam Yusuf Ali, by making sure that they hold good programmes that make impact.

According to Abdulahi, “Ali has been supporting the association since 2012 with N3 million each year, which he gives without us reminding him and which he has promised to give as long as he is alive. In my capacity as the president of ANA, I can tell you that his support has done a lot to stabilize the association. Some of us may wonder about the three million naira. I tell you, it is small and it is big. In this present Nigeria, if you ask a rich man for N200,000 you will pursue him for two years to get it. When you write to government for such support your letter will come back to you saying, ‘we regret to inform you that we can not assist, but we like the programme. Go ahead; God help you.’ So, if an individual, out of his own belief, support and love decide to do this, it must show that he is very passionate about this subject. It is with his grant that we use to plan a lot of things and make sure that this association is kept alive.”

Abdulahi said Ali was impressed with what ANA leadership has been doing with the money since he started giving it, adding, “In the western world, art is kept alive by grants, commitments, foundations giving regularly; that process has to be in Nigeria. That is what we are advocating. Our benefactor has been generous to us year in year out; he has thrown a challenge to us. We have to keep on our toes in terms of fashioning new skills in innovative things that will make the grant keep coming; we cannot rest.”

Abdulahi asked state chapters to change the old ways they were doing things, saying the world was fast moving beyond that otherwise they would not make impact. In order to further enlighten them on new innovations, resourceful people were brought to share their experiences with the hope it would have a ripple effect through the participants.

To speak on ‘Managing and Financing Literary Projects and Programmes for Optimum’ results than former president of ANA, Okediran, who has managed all sorts of projects for ANA for four years. As he said, “With ANA’s objectives of literary projects and programmes such as to promote literature in both indigenous and English Languages, to discover new and emerging writers in the country and see to the improvement of their welfare among other objectives, capacity building for organisational effectiveness cannot be over-emphasised as it is the ability to strengthen an organisation to achieve desired outcome. It is inevitable that the association must perform all of the functions of a healthy not-for-profit NGO such as sufficient income to ensure stable programming, internal source of cash or ready access to cash in times of shortfalls, as well as engage in income-based, rather than budget-based, spending.”

The importance of funds could not be overemphasized as Okediran insisted that the association must retain a positive cash flow balance so that when deficit occurs, there are accumulated surpluses sufficient to cover the current year’s deficit and that the board and management hold themselves responsible for the financial stability of the organisation among other things.

Okediran advised that state chapters should establish good avenues to keep writers busy as well as have their works critiqued and edited and to develop good interactions among other writers who are invited as guest writers and to encourage good publicity in local media. He encouraged writers to attend residencies, which are enabling environments for writers to complete their ongoing works in an atmosphere of serene tranquility and quietness needed for the craft, adding that it is new in Nigeria but necessary and expedient.

He did not fail to mention the challenges that come with residency. According to Okediran, some of the problems encountered are funding, political/social problems, hosts community, relationships may be misunderstood, supervision of residents, poor understanding of residence programme by some writers as some of them get to the venue before thinking of what they want to do and also developing health problems while at the residence.

Having worked on several projects, he acknowledged that raising funds for literary event was challenging due to the twin problem of apathy to literary activities and a shrinking economy, as well as literary event not being a crowd-pulling event among others. The former president told ANA executive to always assist writers in the north, as it is usually a bit more difficult to do things there. He, however, encouraged members not to be scared of fundraising.

Another presenter from Pukyong National University, Busan South Korea, Faculty of Humanities and Social Science, Okeke Job Izuchukwu, who was a member of the association before going for further studies in Korea, spoke on ‘Digital and Literacy in Nigeria: Surmounting the Challenges of Disruption and Enhancing the Reach of the Story.’ Izuchukwu said the World Economic Forum held this year conceptualized the creative industry as the portion of the economy containing jobs that rely on knowledge-based and non-repetitive skills as their key attributes. This encompasses creative endeavours such as music, film and television, gaming, advertising, publishing and literature, as well as architecture, design, arts and fashion.

Izuchukwu, however, focused on the area of interest, which is literature. He said before the colonial era, the main pastime of the people was storytelling. During the colonial and immediate post-colonial Nigeria, literary culture flourished and the best of Nigerian literary craft such as Things fall Apart, The Concubine, The Lion and the Jewel among others were created at this time. He said the digital intrusion into the economy is not all about Nigeria but all over the world and that there is debate ongoing about the role of technology in shaping what content audiences are exposed to and defining what types of content flourishes online.

He said publishers have used technology to find bigger audiences for their content but have less direct control over how that content is discovered. He noted that the disadvantage was that local publishing industry, especially in Nigeria, the digital makes it more difficult to push our kind of literature content to the consumers who are increasingly tech savvy, and would prefer soft copies which are cheaper and more convenient to carry, among other challenges.

He, however, questioned how creative writing and the publishing industry are reshaping itself in the digital era in order to reap from works. Izuchukwu suggested solutions to the numerous problems the industry faces in a digital age and said literature should be made part of pop culture by deepening existing book/literature through book clubs, book programming on radio and TV shows, Facebook and video book clubs. He advised participants not to say they couldn’t do these things, but that they should begin discussion how to achieve some of the goals.

He also suggested building synergy with government by bringing book events to the public domain as well as adapting them into movies among other things.

Children were not left out of the discussion, with Funmi Ilori describing them as the future of the country. Ilori is a professional teacher, a child lover, innovator and storyteller and founder of the first innovative mobile library for children in Nigeria. She said exposure to knowledge is the main trigger for innovation and creativity, adding that sustainable development goals call for ambitious progress, ensuring all children receive high quality education that develops the breadth of skills they need to be successful in a changing world.

Children are the adults of the future and they have open minds that can be influenced and educated positively, she said. As such, Ilori suggested that in order to reach 150 million children by 2030, there was need to find new ways to move faster and reach more learners.

Ilori’s ambition is to transform libraries so that every community in Nigeria has access to an attractive, vibrant, multi-functional library services.

Her strategy for achieving this is to place the libraries at the centre of local communities to ensure universal access, establish campaigns to promote literacy services among other things. Among other things, Ilori encouraged participants to dream big but start small.

ANA Vice President, Mr. Camilus Uka, commended ANA Ilorin Chapter chairman, saying it was not about the name of the city but what comes out of it adding, “We have two distinguished personalities, Akanbi and Yusuf Ali. This city is a pilgrimage for this association!”

Chairman, Lagos State chapter of Nigerian Publishes Association, Mr. Alli Semaka Okunade (left); Mrs. Folake Bademosi; president, Nigerian Publishers Association, Mr. Gbadega Adedapo; the association’s Executive Secretary, Mr. Emmanuel Abimbola and member, Mr. Olakunle Sogbein at the press briefing last… in Lagos

Writers preach grassroots campaigns for literary growth


Writers preach grassroots campaigns for literary growth


Posted By: Edozie Udeze On: May 6, 2018 In: Arts & Life

More efforts are being made by the Association of Nigerian Authors to spread the gospel of grassroots literacy in Nigeria. At a two-day workshop in Ilorin, Kwara State, penultimate week, attention was specifically placed on the role of Yusuf Ali (SAN) yearly grants to ANA for this purpose and more. Edozie Udeze reports.

It has become crystal clear that the current leadership of the Association of Nigerian Authors (ANA) is leaving no stone unturned to ensure that literature is taken to the remotest places in the Nigerian society.  Penultimate week at Ilorin, the Kwara State capital, members of ANA from across the states gathered together to rub minds on the issues that would help to prosper literary awareness.  The theme of the two-day workshop was capacity building on innovations in contemporary literary awareness campaigns in Nigeria.  It was held at the Knowledge Platform, Ilorin, where selected state council chairmen of ANA took time out to discuss topical themes around the Yusuf Ali (SAN) yearly grants to the association and what more to do to utilize the money well for the good of all.

On hand to deliver the lectures on three diverse themes were Dr. Wale Okediran, Izuchukwu Okeke and Funmi Ilori.  Okediran’s topic titled managing and financing literary projects and programmes for optimum resultsThe practical realities, drew attention on actions writers should embark upon to ensure that they write well and also make money from their works.  Okediran, a former president of the Association was clear when he said, “this theme seeks to strengthen the ability of an organization or agency to achieve a desired outcome.  Therefore capacity building in this area can be defined as supporting an organization to build and maintain the skills, infrastructure and resources to achieve its mission”

Having stated this clearly, Okediran commended Yusuf Ali for his regular sponsorship of ANA programmes and projects, a gesture that has made it possible for ANA to fulfill most of its cardinal objectives.  He reminded the literary eggheads that the primary aims of ANA were to promote literature in both the indigenous and English languages and then see how to ensure that members’ welfare is constantly improved.  When this is properly done, it is good also to make efforts to discover new writers and try to celebrate international literary events whenever they do occur.  We are equally obliged to celebrate and eulogize and recognize literary icons in Nigeria”, Okediran noted, urging members to be more proactive.

In essence, prudent financial management can help to achieve these goals.  But where does the money come from when ANA is not a financial organization?  Okediran queried.  “Yes, we need to engage in income-based rather than budget-based spending”, he warned.  By this, he meant that both as a body and as individuals, it is necessary to retain positive cash flow balance.  However, when a deficit does occur, there should be accumulated surpluses sufficient to cover the current year‘s deficit.  What ANA is expected to do is to look into areas where it can establish operating reserves to finance growth and shortfalls.  In the thinking of Okediran, a physician turned writer who has also delved into politics, it is proper for a writer to write.  It is also financially wise for him to prepare ways to earn a living from his works.

The lecture which drew loud applause from writers specifically centred on various issues to keep the sector not only active, but equally help to make ANA responsive and responsible.  Okediran therefore posed; “There should be monthly readings by the state chapters of the association.  Yes, there should be good avenues to keep writers busy and purpose oriented.  In addition, writers should be closer to the older and experienced writers as sources of encouragement.  Taking that further, the body agreed that good publicity is cogent in this regard.  And so when anthologies are done, it will afford local members the opportunity to get published.

He also hinted on the exigencies of residency programmes, which he said often help writers to finish works they’ve  kept for so long or even get new ones started.  In any event, it is when a writer has the freedom and exclusiveness that he needs that he can be more productive.  He postulated thus: “this is a good innovation to support works of upcoming writers and the established ones.  Yes, writers residency is an enabling environment for writers to complete their ongoing works in an atmosphere of serene tranquility and quietness needed for the craft”.  Although this concept is still new in Nigeria, Okediran has started his own Ebedi residency programme which has seen both local and foreign writers utilizing the facilities to empower themselves more.  For this reason and more, he challenged more Nigerians to turn their abandoned homes in the society to writers to encourage them to produce more literary materials for the growth of the society.  He insisted that residencies for writers here in Nigeria is both necessary and expedient. “This is the time to get it going”, he explained.

On the whole, the ANA executives were told to look out for well-placed Nigerians who can always be of financial assistance  to ANA.  “In doing so, you can approach corporate bodies with bias for literature.  There are also individuals who can help.  And more than that, once money is involved, those who handle it should be prudent, should be able to keep an open and clean record to avoid doubts and mistrusts by members. Money meant for projects ought to be well-utilized”, he admonished.

On his own part Izuchukwu Okeke, a South Korean-based Nigerian scholar, and a member of ANA, in his topic titled digital and literary culture in Nigeria: surmounting the challenge of disruption and enhancing the reach of the story, reminded writers that this is a digital era; time for writers to brace up.  It is time to catch up with the trends of the moment to enrich writings in the global economy.  But he also quickly cautioned, based on his global exposure and contacts. “it is not all sectors that have digital love story to tell.  While many aspects of the global economy have beautiful stories with the global innovation, the story with the creative industry is different.  But we can use this means to write, market and publish our works.  For now, we do not all seem to understand the full import of this digital economy.  In well-developed worlds it is working; it is helping the creative industry and so on.  It is therefore our turn to key in now to grow and prosper”.  Okeke, a doctoral degree scholar in African literature in Pukyong National University, Busan, South Korea, pointed out. For him writers should use every available function to slot in their programmes to create more awareness thereby improving the sale of books.  In the end, more books would be sold and authors would make money.

“This is what happens in South Korea where books and writers are well celebrated by the society; where there are social grants to enhance literacy”, Okeke surmised.

In their responses, both the national president, Denja Abdullahi and the state chairmen commended Okediran and Okeke for the expository issues they espoused.  Abdullahi himself, a celebrated poet said, “this is an auspicious occasion.  We have learnt more and we are grateful to Yusuf Ali for his kind gestures in the past seven years.  His gesture has helped to stabilize ANA.  It has given us renewed hope and consciousness to move to the next level.  In his closing remarks, vice president Camy Ukah said, it was clear that members had learnt so much to go home to implement a lot to make ANA more prosperous and evenly known.

In the end, states were told to go and do more to continue to endear ANA to the people.  ANA was founded in 1981 by Chinua Achebe, Wole Soyinka, J.P. Clark and others to serve as an intelligentia group for writers in Nigeria.  And so the yearly Yusuf Ali N3 million grants have helped to attain this goal.  That was why the workshop became necessary and topical for more literary growth.


REPORT ON THE ANA/YUSUF ALI SCHOOLS LITERARY AWARENESS CAMPAIGN 2012


REPORT ON THE ANA/YUSUF ALI SCHOOLS LITERARY AWARENESS CAMPAIGN 2012


 The 14th and 28th of June 2012 the Association of Nigerian authors plateau state chapter participated in the nationwide ANA/YUSUF ALI SCHOOLS LITERARY AWARENESS CAMPAIGN.
On both occasions The chairman of ANA Jos, Mr Matthew Mzega gave the opening address he welcomed everyone present stating the purpose which the colloquium hopes to achieve, the many challenges of Nigerian writers and prospective programmes by the ANA. He also called for support from friends of the chapter, well meaning individuals and the general public. On the issue of literature and the reading culture in our society the chairman expressed deep concern and also optimism by suggesting that the situation can be improved with the support of the government and all stakeholders in society.
The chief judge Mr Silas Nnamonu, gave an exposition into the core of issues bordering on national leadership, youth restiveness and consequentially poor educational growth and literary decline. He described ANA/YUSUF ALI SCHOOLS LITERARY AWARENESS CAMPAIGN as vital, timely and commendable.
Various media houses were there to cover the occasion amongst which was the National television authority Jos. Occasion witnessed creative performances from the NTA television college drama troupe, the ‘JOS MELO DRAMA’ by Nenpan Monday, alongside other thrilling presentations.
The occasions progressed smoothly with discussion, presentations and questions striking the heart of the issue under discourse. Many who came patronized the books on display and authors used the opportunity to advertise and market their books. Many who possessed a flare for writing expressed their willingness in joining the association.
The campaign assumed the atmosphere of a literary fair at the close of which many were reluctant to leave. Enthusiasts hung around in groups discussing, chatting, debating and keeping the spirit of the campaign alive.
Out of ten schools slated to participate three schools emerged as winners in the following order
1. Saint Murumba College Jos      (First Place Winner)
2. Airforce Military School Jos       (Second Place Winner)
3. Calvary Science College Jos         (Third Place Winner)
4. Government Secondary School West of Mines
5. Maygo Comprehensive High School Jos
6. Starlet High School Jos
7. Effective International College
8. Rochas Foundation College Jos
9. Saint. Joseph College
10. Government College Kabong

All participants received certificates of participation while the winning schools received award plaques of recognition under the platform of The ANA/YUSUF ALI SCHOOL LITERARY AWARENESS CAMPAIGN (AYASLAC 2012)
The Plateau state chapter alongside fifteen (15) other chapters of ANA received 150.000 naira, which was expended as seen below, under the directive of the national body-
20,000 - LOGISTICS
80,000- FOR PROCUREMENT OF BOOKS
50,000- AWARD OF PRIZES
Books cutting across the three genres of literature (poetry, prose, play) were procured and donated accordingly.

LIKE THE WINDS by Nenpan Monday Zakka (prose)
RIVER RUN DRY by Mzega Mathew Iorlaha (poetry)
WORDS AND SILENCE by Victor .S. Dugga
THE INCORRUPTIBLE JUDGE